As an independent choreographer, Ashwini Ramaswamy’s work references ancient myths and ritualistic practices, global literature and poetry, and the mixed media contemporary culture she has absorbed for 35 years, drawing from myriad influences to express a personal identity with collective resonance. Celebrated for her ability to “[weave] together, both fearfully and joyfully, the human and the divine” (New York Times), Ashwini studies Bharatanatyam from the legendary dancer/choreographer Smt. Alarmel Valli of Chennai, India, and Ranee and Aparna Ramaswamy, Artistic Directors of Ragamala Dance Company.
As Choreographic Associate/featured performer with Ragamala, she has toured extensively, performing throughout the U.S. and in Russia, Taiwan, Indonesia, Japan, the U.K, and India. Ashwini’s choreography was among the “Best of the Year” in the Minneapolis Star Tribune, Big Dance Town, and Minn Post, and has been presented by the Joyce Theater (NYC), Triskelion Arts (NYC), Cowles Center (Minneapolis), The Yard (Martha’s Vineyard, MA), and Just Festival (Edinburgh, U.K.), among others.
Ashwini is a recipient of grants from the McKnight Foundation, Minnesota State Arts Board, Metropolitan Regional Arts Council, and Jerome Foundation, including a recent inaugural Jerome Hill Artist Fellowship. Ashwini’s work is supported by USArtists International, National Endowment for the Arts, and New England Foundation for the Arts’ National Dance Project. A recent piece was commissioned by The St. Paul Chamber Orchestra’s Liquid Music Series, and her work has been developed in residence at the University of North Carolina (Chapel Hill) and the Baryshnikov Arts Center (New York, NY).
Ashwini came to NCCAkron in October 2019 for a residency in support of her new work Let the Crows Come. The work was commissioned by The St. Paul Chamber Orchestra's Liquid Music Series, where it premiered in November 2019, and was made possible by the New England Foundation for the Arts' National Dance Project and the MAP Fund.
Technical Residency Artist (2019)